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Mark Tansey, Push/Pull 2003.

On May 11th, 2010, works from the collection of Michael Crichton will go up for auction at Christie’s in New York. Who knew? The writer of such classics like Jurassic Park and The Lost World had also been a devoted art collector since the early 70s. Among some of the 31 lots are works by Jasper Johns, Pablo Picasso, Anges Martin, and Roy Lichenstein. He was also into the more contemporary artists like Jeff Koons and Richard Prince. He was known for his desire to understand the artist and felt that in some way he was connecting with the struggles of the artist through the purchasing of their work. His own talent was one of quiet seclusion and introspection, so it should come as no surprise that after great success Crichton would enrich his surroundings. But it still does. You never know about those Hollywood types.

Two years after his death, all the works are quite valuable. There are two $7.5m Picasso’s and a $15m Jasper Johns Flag. Should be an interesting auction, and just two years after…

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So, in my continuing series on potential purchases in a post-lottery win state of mind, I’m adding some additional art to my unbuilt home(s). This one could be a bit early, seeing as how the lottery drawing and the auction are on the same night, however buying millions of dollars worth of art before you have the money pretty much as “the secret” as it gets.

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Tomorrow night’s Impressionist/Modern evening sale at Christie’s in New York has quite the piece, an Alberto Giacometti sculpture, Le Main from 1947. It measures 28 inches long and would be a great addition to the Paris apartment, for an estimate of $10m – 15m. Jean-Paul Sartre gave some words for the introduction to Giacometti’s exhibition catalogue in which this piece was displayed back in 1948, “I can consider separately from the tree itself this wavering branch,” wrote Jean-Paul Sartre, “but I cannot think of an arm rising, a fist closing, apart from a human agent. A man raises his arm, a man clenches his fist; man is the indissoluble unity and the absolute source of his movements.”


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